MTV · Creator & executive producer
Sorority Life
The 2002 series brought the experiences of college sorority members to a national audience.
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Selected work
From intimate documentary to international field production.
MTV · Creator & executive producer
The 2002 series brought the experiences of college sorority members to a national audience.
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Feature documentary · Director & producer
Margaret Mead Film Festival presentation. EBE Award for Best Documentary.
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Feature documentary · With Johnna Janis
Best Documentary, 2015 Bare Bones International Film & Music Festival.
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E! Entertainment · Producer & writer
Biographical documentary work, with responsibilities varying by episode.
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National Geographic Australia · Showrunner, director & camera
Executive production and field storytelling following the crocodile-management team in Australia’s Northern Territory.

Spike TV · Director, showrunner & executive producer
Sports-themed reality competition centered on the Super Bowl, NBA events, Kentucky Derby, Indianapolis 500 and WrestleMania.

Viceland · Thrasher Magazine · Supervising story producer & camera operator
Production preparation, field shoots, and postproduction oversight of story and editing.
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Fusion · Executive producer & showrunner
Unscripted automotive television.

New Zealand · Renovation reality production
Home-renovation competition and the people behind the transformations.
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Royal New Zealand Ballet · Documentary production
Behind the scenes in the world of professional ballet.
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Independent film credits include Jordon Saffron: Taste This!, The Zombinator, and 223 Wick. Through Surging Media Group, Sergio has also worked across advertising and branded content, from development and scripting to directing and production.
More in the full biographyProduction archive







Commercial storytelling
Selected frames from Sergio’s commercial production work, including product demonstrations, beauty campaigns, and testimonial interviews.



Sports, competition & live production
Sergio Myers directed and served as showrunner on Spike TV’s 10 Things Every Guy Should Experience, a sports-themed reality competition series centered on major sporting experiences: the Super Bowl, NBA events, Kentucky Derby, Indianapolis 500 and WrestleMania. The work brought together competition storytelling, talent direction, crew leadership and production around major events.
Today, that field experience connects with hands-on live sports work: game-day camera coverage for the South Carolina Stingrays and Mud Racing Now’s 2026 season in South Carolina and Georgia, capturing trackside racing action and driver interviews for the livestream.









Personal production archive supplied by Sergio Myers. Captions identify the pictured television and commercial projects.
Viceland · Thrasher Magazine
Supervising story producer & camera operator
Sergio Myers worked across production preparation, field shoots and postproduction on the skateboarding series, connecting the stories unfolding on the road with the episodes taking shape in the edit.
Preparing for the field production and the story work ahead.
Field shoots, camera operation and following the developing stories.
Supervising story production and overseeing story and editing through postproduction.




Selected frames from the supplied Viceland trailer. These show the series on screen; the production photographs above show the work behind it.
New Zealand & Australia · Production archive
Home renovation, the discipline of ballet, and wildlife work in the Northern Territory. These photographs trace Sergio Myers’ work across very different unscripted environments.
New Zealand · Renovation reality
Production work on the home-renovation competition series, where changing spaces, deadlines and the people doing the work supply the story.

Royal New Zealand Ballet · Observational documentary
A view behind the performance: production in the world of the Royal New Zealand Ballet, from interview setups to the crews and rehearsal spaces around the dancers.

National Geographic Australia · Wildlife docuseries
Showrunner, director and camera work following the crocodile-management team in Australia’s Northern Territory. Field production demanded close attention to unfolding action, the people doing the work and the material needed to build each episode.
See the story-room process ↓
Inside the process · Croc Catchers NT
One of my processes for making a series: get the story out of the footage and onto the wall.
This is a working board from Croc Catchers NT for National Geographic Australia. I use a whiteboard and sticky notes to map scenes, interviews and story beats, work through episode structure, and keep track of the material still needed.
Being able to move the pieces helps me see the series as a whole while shaping the story inside each episode.

Put scenes, interviews and potential story beats where they can be seen together.
Move the pieces, test connections and develop a clear progression through each story.
Track pickups, follow-up interviews and editorial needs as the series takes shape.
Hands-on production
From shaping a series to working behind the camera, Sergio brings editorial judgment and practical production experience to the same assignment.
Available for documentary, unscripted, commercial and branded-content production.
